Editready keywords9/27/2023 EditReady exploits the math behind it to properly convert ARRIRAW files from the ALEXA 35 into an edit-friendly codec of your choice. This includes a new gamma curve (LogC4) and wide-gamut color space (AWG4). Along with the camera, ARRI introduced the new REVEAL color science. Freshly released at the end of May, the company’s new flagship Super 35 mm cinema camera features a completely redesigned 4.6K sensor with an astonishing claimed dynamic range of 17 stops. Moreover, the 22.3 update welcomes the new ARRI ALEXA 35 to the list of supported cameras. According to Hedge, the software makes use of Canon’s own color science to provide an accurate conversion. This enables better handling of the footage during the editing process. EditReady users can now transcode this RAW data into a mezzanine file format, such as ProRes. This can be found on a vast range of Canon products, going from high-end cinema models (such as the C500 Mark II, C300 Mark III, and C200) to the 8K-capable EOS R5 C mirrorless camera. The new EditReady 22.3 introduces support for Canon’s own compressed file format, called Canon Cinema RAW Light. Image credit: ARRI EditReady 22.3: now supporting Canon Cinema RAW Light and ALEXA 35 Indeed, it embraces the popular Canon Cinema RAW Light format as well as the long-awaited ARRI ALEXA 35. The latest version of the software further expands the list of supported file types. Now, the company is introducing EditReady 22.3. Just a few months ago, EditReady 22.2 brought support for Sony Uncompressed RAW and X-OCN formats, along with the new Color Conversion panel. It allows users to convert original footage from a variety of different camera models into more manageable, edit-friendly files. The update is available now and is free for all existing users.ĮditReady is an increasingly popular transcoding solution developed by Hedge. Hedge has recently released EditReady 22.3 with added support for Canon’s compressed RAW format and ARRI’s flagship Super 35 mm camera, the ALEXA 35. keyboard_arrow_rightCameras of the Year.keyboard_arrow_rightGear Guides by Type.keyboard_arrow_rightGear Guides by Budget. Or enter your EditReady serial under upgrades to purchase ScopeBox for just $69.95. We’re also offering upgrades for existing EditReady customers. We’re so excited about this new functionality, that we’re offering a deal for people who buy EditReady and ScopeBox as a bundle. Buy EditReady and ScopeBox together and save! And if you’re shooting in Log, protune, cine-gamut, or any other format, you can still use EditReady’s LUT support to preview your shots as corrected video – the LUT-transformed video will be sent to ScopeBox as well. You don’t need to rewrap or transcode the footage to get access to professional quality QA tools. Any camera files EditReady supports: AVCHD, HDV, MXF, MOV and MP4. This means if you own both EditReady and ScopeBox you can now get live video scopes of your camera originals right from the EditReady preview player. Today we’ve made it possible to use ScopeBox with EditReady preview playback. Users of FCPX, Premiere Pro, AfterEffects and other applications can use ScopeLink to attach ScopeBox to their timelines. ScopeLink is a technology we introduced a few years ago allowing ScopeBox to see (and scope) the video signal inside another application. The major feature of both is addition of ScopeLink integration between the two applications. Today we shipped EditReady 1.4 and ScopeBox 3.5.
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